Any discussion of postmodernism must be
preceded by first explaining the definition of Modernism. Modernism began at the end of the 19th Century and was influenced by the
new technologies and ideologies that permeated the period. In short form follows function. By
the 1970s, it was believed that Modernism was drawing to an end in art and
design as well as culture. By the time postmodernism came along,
many designers were quite happy to dismiss it as a trendy fad or irrelevant
rambling, and be done with it. From this point on tradition was no longer a
crucial element to follow. Now designers were able to
work in a more open-minded and democratic world. Modern artist did not look
back to the traditional ideas but looked into the future. Everyone was free to
express him or herself, and equality was given utmost importance.
Going back a few years to 1960, designers
within the Swiss Design movement were starting to question its principles and
ideas towards typographic principles. Since the International style spoke
mainly about clarity, order and objectivity, design schools did not encourage
the use of playing around with various elements and exploring text in a
different way. The International Style had become so popular that it was time
for change.
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Linol Cities Druck, by Siegfried Odermatt, 1952. |
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Wolfgang Weingart |
In Basel, Wolfgang Weingart was a lecturer at
the Swiss design school. He studied under various designers such as Ruder and
Hoffman however he taught differently. In fact Weingart came to feel that the
International Style had reached a stalemate. This means that he felt Swiss
design could no longer progress and indeed it was time to change. He was
interested in changing the way typography looked, whilst still retaining its
meaning.
“What’s the use of being legible, if nothing
inspires you to take notice of it” – Wolfgang Weingart
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Typography 4 and 5, Wolfgang Weingarts early days of experimentation. |
Weingarts inspiration came mostly from the
Constructivist’s way of placing random shapes in space as well as the Dadaists
who used collage in a breaking order. However more of Weingart will be
discussed in further detail when it comes to New Wave design.
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Kunstdruck, graphik, antiquariat, bucher, 1962, Wolfgang Weingart |
As
we’re beginning to witness designers began to feel that “Less is a Bore’ into a
postmodernism context. They began defining the present in terms of the past,
which was mainly opposing and breaking away from the style that preceded it
(modernism). Unlike Modernism, Post-modernism does not reject Modernism, rather
embraces it as its predecessor, still taking influence from it. Postmodernism
was basically a development from Modernism, which without it would have never
taken place.
Bibliography
Keedy,
M., 2006. Graphic Design in the Postmodern Era. [Online] Available at:
http://www.emigre.com/Editorial.php?sect=1&id=20
[Accessed 12 January 2015].
Meggs, P.B. & Purvis, P.W., 2011. Meggs' History of
Graphic Design. 5th ed. Wiley.
Shanny12, 2010. Modernism vs Postmodernism. [Online]
Available at: https://shanny12.wordpress.com/modernism-vs-postmodernism/
[Accessed 12 January 2015].
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